randian | 燃点

I intend to speak of forms changed into new entities —Ovid, Metamorphoses >> Read more

September 3 — October 8, 2016 • Paris Opening on September 3rd, 2016 / 6 – 8 pm Almine Rech Gallery is pleased to announce the first exhibition of American artists Eric Mack and Torey Thornton, together at the gallery’s Paris location. In addition to fluidly combining painting and sculpture, both artists also share a […] >> Read more

Chambers Fine Art is pleased to announce the opening on November 6, 2014 of Transformation: Recent Works by Wu Jian’an. Since his first exhibition at Chambers in 2006, Wu has primarily used paper cut as his preferred medium, although he has also experimented with other materials including metal and ox hide. >> Read more

Wu Jian’an delves ever deeper into mythological and esoteric source material... >> Read more

［Press release］ Chambers Fine Art is pleased to announce the opening on March 29, 2014 ofTransformation: Recent Works by Wu Jian’an. Since his first exhibition at Chambers in 2006, Wu has primarily used paper cut as his preferred medium, although he has also experimented with other materials including metal and ox hide. As his works […] >> Read more

Modern Hong Kong nightlife began with the California Restaurant in 1983. The exhibition “Sneakerotics” proposes a position with regard to the parallel life of the California dream in Hong Kong。 >> Read more

(Hong Kong, 10 January 2017) To commemorate the beginning of an artful year, Massimo De Carlo gallery presents its first group show ‘Between Utopia and Dystopia’ at Hong Kong’s Pedder Building. It will be on display from19 January 2017 to 11 March 2017. >> Read more

These four artists come from four different countries that together span East and South East Asia. Placed besides one another, the art work of these four artists show a certain unity as much as a distinction. This unity is a commitment to the materiality of artistic practice not simply the basis of much of artistic practice but, as its subject. >> Read more

With his third solo display, Gao Lei proves again to be an artist among few able to deliver an exhibition — not a bunch of works, but a show that owns the space; an entity and experience contained and fulfilled, not over-confident, undermined by one or two pieces or subject to other pitfalls. >> Read more

A look at the mammoth solo exhibition of Wang Xingwei at UCCA, asking if the artist famous for his quotations in paint is an acquired taste, and what (in the Art World), this could mean.
 
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